SOLO 5

PETER OTTO

On 6 September 2015, Club Solo’s fifth solo exhibition will open, focussing on the works of artist Peter Otto (Rotterdam, 1955). The exhibition will show works from 1993 onward, including, among other things, paintings, drawings, sculptures and artist’s books from various art collections.

Otto expresses a strong preference for artists like Philip Guston, Louise Bourgeois and Luciano Fabro. These three names provide a clear context for the visual language he employs.

Otto uses his visual work and publications to look for an insistent way to shape the great questions of life. In his efforts, he concentrates on the metaphor of deep suffering and the way visual art can provide meaning. His work shows a sincere quest for knowledge and beauty in which meaning may be torn away from the object. A quest that can refer to life’s great mysteries and that looks at the depth of a visual and verbal narrative.

M HKA

LUC

TUYMANS

In response to Peter Otto’s work, M HKA will show work by Belgian artist Luc Tuymans (Mortsel, 1958) in the museum hall.

PublicatiON

format A4 - 32 pages - full FC
photography AF OFF
text Laurens Otto
text contribution about Luc Tuymans door Lisa by Gerven (conservator / curator M HKA)
translation Lenne Priem
design Berry van Gerwen

€ 10,-

For sale at Club Solo or to order online. Mail us for more information or to order a publication: shop@clubsolo.nl.

Multiple

ICE Dot, photo print on 300 gram Hahnemüller paper, 34 x 49 cm (paper size), 27 x 36 cm (image), 2015

Trailer

On 6 September 2015, Club Solo’s fifth solo exhibition will open, focussing on the works of artist Peter Otto (Rotterdam, 1955). The exhibition will show works from 1993 onward, including, among other things, paintings, drawings, sculptures and artist’s books from various art collections.

Otto expresses a strong preference for artists like Philip Guston, Louise Bourgeois and Luciano Fabro. These three names provide a clear context for the visual language he employs.

Otto uses his visual work and publications to look for an insistent way to shape the great questions of life. In his efforts, he concentrates on the metaphor of deep suffering and the way visual art can provide meaning. His work shows a sincere quest for knowledge and beauty in which meaning may be torn away from the object. A quest that can refer to life’s great mysteries and that looks at the depth of a visual and verbal narrative.

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