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SOLO 7

TON BOELHOUWER

For its seventh solo exhibition, Club Solo will show a selection of works by Ton Boelhouwer (The Hague, 1960).

Ton Boelhouwer studies the element of work in painting, by which he means intensive moments of action. These moments generate a rhythm and structure that impact the act of viewing, without being dictated by an identity or representation.

According to Boelhouwer, painting has moved beyond representation. In the art of painting as he imagines it, the maker, the creation of a work, and the role of the viewers come together in a single rhythm. As such, Boelhouwer’s most recent works do not have their viewers positioned across from them, but inside them.

M HKA

MANON

DE BOER

In response to Ton Boelhouwer’s work, the Museum of Contemproary Art in Antwerp (M HKA) will exhibit Presto. Perfect Sound (2006) in Club Solo’s minor hall, a work by Dutch artist and filmmaker Manon de Boer (1966, Kodaicanal, India).

PublicatiON

format A4 - 32 pages - full FC
photography AF OFF
text Lex ter Braak
text contribution about Manon de Boer by Lisa van Gerven (conservator / curator M HKA)
translation Lenne Priem
design Berry van Gerwen

€ 10,-

For sale at Club Solo or to order online. Mail us for more information or to order a publication: shop@clubsolo.nl.

TON BOELHOUWER

 Downloaden

Multiple

vase, pencil and gouache, 28 x 25 cm, 2016

Instruction: the multiple is the vase, painted on the wall by the buyer himself.
Tools: instruction, mould, pencil and paint.

Trailer

For its seventh solo exhibition, Club Solo will show a selection of works by Ton Boelhouwer (The Hague, 1960).

Ton Boelhouwer studies the element of work in painting, by which he means intensive moments of action. These moments generate a rhythm and structure that impact the act of viewing, without being dictated by an identity or representation.

According to Boelhouwer, painting has moved beyond representation. In the art of painting as he imagines it, the maker, the creation of a work, and the role of the viewers come together in a single rhythm. As such, Boelhouwer’s most recent works do not have their viewers positioned across from them, but inside them.

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